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New York – Camille Blatrix: “Pop-Up” at 55 Walker Through March 6th, 2021

Friday, February 19th, 2021

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

Los Angeles – Paramount Ranch 3 in Agoura Hills, January 30th-31st, 2016

Monday, February 1st, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Whitney Releases Artist List for 2021 Biennial

January 27th, 2022

The Whitney has released a 63-artist list for its upcoming Biennial, which will open this April, under the title “Quiet as It’s Kept.” “The Whitney Biennial is an ongoing experiment, the result of a shared commitment to artists and the work they do,” curators David Breslin and Adrienne Edwards said in a statement. “While many of these underlying conditions are not new, their overlapping, intensity, and sheer ubiquity created a context in which past, present, and future folded into one another. We’ve organized the exhibition to reflect these precarious and improvised times. The Biennial primarily serves as a forum for artists, and the works that will be presented reflect their enigmas, the things that perplex them, the important questions they are asking.”
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Charles Ray Profiled in NYT

January 27th, 2022

Charles Ray gets a profile in the NYT this week, as he prepares to open a new show at The Met. “The pace and rate at which Ray works are important,” says Hamza Walker, the director of the nonprofit art space LAXART in Los Angeles. “It’s perverse on the one hand; he could sit with something for 20 years.” Ray, he observes, “distills down what we think we know, and it somehow becomes resonant, and produces reflections that show there’s so much more here than you know.”


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Stuart E. Eizenstat Profiled in NYT

January 24th, 2022

A piece in the New York Times profiles Stuart E. Eizenstat, the diplomat and lawyer who has long advised on the process of restituting Nazi-looted art, and who will now take on his first court case seeking the return of an allegedly looted Camille Pissarro. “No self-respecting government, art dealer, private collector, museum or auction house should trade in or possess art stolen by the Nazis,” he says.

Read more at NYT

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