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Dia Foundation Announces Capital Campaign and Improvement Plans

Sunday, June 10th, 2018

Moscow Embarking on Building Project to Recreate itself as “Cultural Capital”

Thursday, January 18th, 2018

Critics Sign Letter Opposing Trump’s Recognition of Jerusalem as Israel’s Capital

Tuesday, December 12th, 2017

Hedge Fund Billionaire Steven Cohen Donates $50 Million to MoMA Capital Campaign

Thursday, June 29th, 2017

Art Market Monitor Analyzes Marcato Capital Holdings in Sotheby’s

Wednesday, June 14th, 2017

UK Cities Pushing for Candidacy as European Capital of Culture Despite Brexit

Sunday, December 18th, 2016

Germany’s Artnet Acquires Tutela Capital SA

Wednesday, November 23rd, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Creative Capital Announces Grants for 2016

Tuesday, January 12th, 2016

Bloomberg Looks at Eli Broad’s Mission to Make L.A. an Art Capital

Wednesday, September 16th, 2015

Marcato Capital Filing Indicates Equal Shares to Third Point

Sunday, March 22nd, 2015

Paris and Berlin – “Open Source: Art at the Eclipse of Capitalism” at Max Hetzler Through April 18th, 2015

Sunday, March 22nd, 2015

Vito Acconci Proposes Intricate Bridge Structure for Tasmanian Capital

Tuesday, January 13th, 2015

AO News Summary: Agreement reached between Annie Leibovitz and Art Capital Group

Monday, September 14th, 2009

Art Capital Group Sues Annie Leibovitz to Collect on $24 Million Loan

Sunday, August 2nd, 2009

New York – “Beside Myself, Curated by Dan Herschlein” at JTT Through August 3rd, 2018

Thursday, August 2nd, 2018

Paris – Iván Argote: “Deep Affection”at Galerie Perrotin Through July 28th, 2018

Friday, July 27th, 2018

Berlin – “We Don’t Need Another Hero”: The 2018 Berlin Biennale Through September 9th, 2018

Thursday, July 12th, 2018

London – America My Hometown by Edward Kienholz at Blain Southern through July 14, 2018

Saturday, July 7th, 2018

AO Auction Results – London: Phillips 20th Century and Post-War Evening Sale, June 27th, 2018

Wednesday, June 27th, 2018

AO Auction Preview – London: Post-War and Contemporary Evening Sales, June 26th – 28th, 2018

Tuesday, June 26th, 2018

AO Auction Recap – London: Impressionist and Modern Evening Sales, June 19th and 20th, 2018

Friday, June 22nd, 2018

New York – “BURNT, curated by Leo Fitzpatrick” at Marlborough Contemporary Through June 16th, 2018

Saturday, June 16th, 2018

New York — Andreas Slominski: “ANDREAS SLOMINSKYYY” at Metro Pictures Through May 25th, 2018

Friday, May 25th, 2018
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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