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Mobster May Hold Key to Location of Stolen Caravaggio

Wednesday, June 6th, 2018

Mafia Informant Speaks on Theft of Caravaggio Masterwork

Tuesday, February 27th, 2018

Galleria Borghese Launching Caravaggio Study Center

Monday, November 6th, 2017

Stolen Caravaggio Profiled in Garage Magazine

Saturday, October 21st, 2017

Caravaggio Painting Found in French Attic Goes on View in Milan

Friday, November 11th, 2016

Art Newspaper Traces Provenance for Wildenstein Caravaggio

Thursday, October 13th, 2016

Digital Copy of Stolen Caravaggio Goes on View in Palermo

Tuesday, December 15th, 2015

Judge Rules for Sotheby’s in Caravaggio Lawsuit

Friday, January 16th, 2015

Rare Caravaggio to Hit Auction Block Later This Month at Christie’s

Saturday, January 3rd, 2015

Caravaggio Painting at Center of Major Lawsuit Beginning Today in London

Tuesday, October 28th, 2014

Caravaggio’s Remains to be Buried in Tuscan Town

Friday, July 11th, 2014

Dispute Over Attribution and Sale of Potential Caravaggio Heads to Court

Monday, September 2nd, 2013

Controversially Attributed Caravaggio to be Installed Publicly in London

Thursday, March 28th, 2013

Sotheby’s Sued Over Caravaggio Attribution from 2006

Friday, February 15th, 2013

AO News Summary – Berlin: Stolen Caravaggio Worth $100 million Recovered by German Police

Wednesday, June 30th, 2010

Go See – Rome: Caravaggio at the Scuderie del Quirinale through June 13th, 2010

Tuesday, May 25th, 2010

Go See – Rome: Caravaggio and Francis Bacon, Side-by-Side, in a Commemorative Exhibition at Galleria Borghese through January 24th, 2010

Thursday, November 26th, 2009

Don’t Miss – Frankfurt: ‘CARAVAGGIO IN HOLLAND: Music and Genre in the Paintings of Caravaggio and the Utrecht Caravaggists’ at The Städel Museum through July 26, 2009

Tuesday, July 21st, 2009

Caravaggio

Monday, December 1st, 2008

News Alert: $100M Caravaggio Stolen From Ukranian Museum

Friday, August 1st, 2008

The Guardian Profiles the Stark Life and Powerful Work of Artemisia Gentileschi

Wednesday, October 5th, 2016

New York – Yinka Shonibare MBE: “Rage of the Ballet Gods” at James Cohan Gallery Through June 20th, 2015

Saturday, June 13th, 2015

Fire Damaged Works to Go on View at Bode Museum in Berlin

Friday, March 20th, 2015

AO Auction Recap – New York: Old Masters Week, January 28th-29th, 2015

Saturday, January 31st, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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