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New York – Carroll Dunham at Gladstone Through June 16th, 2018

Tuesday, May 22nd, 2018

New York – Carroll Dunham: ‘”Drawings: 1982-96″ at Gladstone 64 Through October 22nd, 2016

Friday, October 21st, 2016

New York – Carroll Dunham at Gladstone Gallery Through December 4th, 2015

Sunday, November 29th, 2015

New York City: Carroll Dunham at Gladstone Gallery Through January 19th, 2013

Friday, January 11th, 2013

Go See – New York: Carroll Dunham at Gladstone Gallery through December 5, 2009

Monday, November 30th, 2009

AO On Site (with Interview): ‘Image Matter’ curated by Klaus Kertess at Mary Boone in Chelsea, February 21, 2009; Interview with artist Carroll Dunham

Wednesday, February 25th, 2009

Lena Dunham Interviewed by Christie’s About Andy Warhol

Sunday, March 3rd, 2013

Lena Dunham’s Art World Parody Series Still on View Online

Saturday, January 5th, 2013

New York — “In The Making” at Luxembourg & Dayan Through April 16th, 2016

Tuesday, April 5th, 2016

New York – “Nice Weather” Curated by David Salle at Skarstedt Gallery Through April 16th, 2016

Wednesday, March 30th, 2016

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014

Blum and Poe to Open Space in New York

Thursday, February 20th, 2014

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

New York – “Reinventing Abstraction,” Curated by Raphael Rubenstein at Cheim & Read Through August 30th, 2013

Monday, August 19th, 2013

New York – “1980’s Revisited at Skarstedt Gallery NYC through April 6, 2013

Friday, April 5th, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

AO On-Site: The 2013 Armory Show in New York City – March 6th-10th, 2013

Friday, March 8th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Living Artists

Thursday, July 7th, 2011

AO AUCTION RESULTS: Sotheby’s sale of works from The Neuberger Berman and Lehman Brothers Corporate Art Collections raises $12.3 million in New York, September 25th, 2010

Saturday, September 25th, 2010

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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