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Christine Macel Interviewed in New York Times

Monday, May 8th, 2017

Christine Macel Announced as Director for 57th Venice Biennale

Monday, January 25th, 2016

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Carolee Schneeman to Receive Golden Lion for Career Achievement in Venice

Thursday, April 13th, 2017

Venice Biennale Announces Artist List for 2017 Exhibition

Tuesday, February 7th, 2017

AO Newslink

Friday, September 28th, 2012

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of the 54th International Art Exhibition in the Central Pavilion, and announcement of 2011 winners of the Golden and Silver Lions

Saturday, June 4th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York – Urs Fischer: “Sotatsu” at Gagosian Gallery Through June 23rd, 2018

May 26th, 2018

Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever
Urs Fischer, Sōtatsu (detail) (2018)New York, Artworks © Urs Fischer, Photo Rob McKeever

Throughout the career of Swiss artist Urs Fischer, space and form have long worked in lock step with acts of repetition and iteration, allowing his myriad approaches towards studio process to create ever-evolving forms and bodies of work that change as much from piece to piece as they do series to series.  For his most recent body of works on view now at Gagosian Gallery‘s uptown location, the artist takes this interest to a natural conclusion, creating a series of panel-based paintings that draw on a gradual evolution in the painter’s improvisations on single images.
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German Lost Art Plans New Guidelines for Project Funding

May 25th, 2018

Portrait of Adele Bloch-Bauer I, by Gustav Klimt, via Market WatchThe German Lost Art Foundation will begin developing guidelines for funding projects in provenance research for museums, collections and basic research, the Washington Post reports. The funding continues the organization’s attempts to provide restitution support for lost and looted art pieces.
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The Guardian Spotlights New Performance Piece at CERN

May 25th, 2018

Haroon Mirza and Gaika, via The GuardianThe Guardian spotlights an ambitious and expansive body of performance works set to take place at the CERN Large Hadron Collider, organized by a group of artists including Jack Jelfs and Haroon Mirza. “It’s like the way people look at Stonehenge,” says the DJ Elijah, who is part of the project. “That could be like Cern 1,000 years in the future – maybe not even that far ahead. ‘Why were people smashing particles together to work out how the universe started?’ This is the biggest machine ever created, maybe nothing will ever be bigger. So it might be seen as a ritual site.”
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