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New York Times Charts the Recent Life of Chuck Close

Thursday, July 14th, 2016

MTA to Install Chuck Close Murals in Uptown 2nd Ave Subway

Monday, July 11th, 2016

Chuck Close Profiled in NYT

Sunday, May 10th, 2015

New York – Chuck Close: “Nudes 1967-2014” at Pace Through March 29th, 2014

Friday, March 28th, 2014

Chuck Close Takes the WSJ into His East Village Apartment

Saturday, March 8th, 2014

Vogue Offers an Inside Look at Chuck Close’s Studio

Sunday, November 24th, 2013

New York – ‘Chuck Close Photo Maquettes’ at Eykyn Maclean through May 24, 2013

Tuesday, May 21st, 2013

London – Chuck Close: “Chuck Close Prints: Process and Collaboration” at White Cube Bermondsey, through April 21st 2013

Saturday, April 20th, 2013

Chuck Close Shares His Struggles with Disadvantaged Children as Part of Federally-Funded Program

Wednesday, December 19th, 2012

New York – “Chuck Close” At Pace Gallery, Through December 22nd, 2012

Tuesday, December 4th, 2012

Art News – New York: Chuck Close and Kehinde Wiley collaborate With ShowMedia and Art Production Fund on Taxi Cab Adverts Through January

Monday, January 10th, 2011

AO Onsite – New York: Project on Creativity with Chuck Close at the New Museum, Wednesday, May 26th, 2010

Monday, May 31st, 2010

Go See: Chuck Close Paintings and Tapestries at PaceWildenstein, New York through June 20, 2009

Friday, May 15th, 2009

Chuck Close at the Hermitage, St.Petersburg, February 29 – April 13

Monday, March 3rd, 2008

Chuck Close Curates Inaugural Show at Private Gallery in New York

Sunday, January 27th, 2008

“Chuck Close” Documentary debuts in NYC

Wednesday, January 9th, 2008

Chuck Close

Thursday, January 3rd, 2008

Chuck Close at White Cube Mason’s Yard

Wednesday, October 10th, 2007

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

New York Times Looks at Growing Emphasis on Artist Estate Representation

Tuesday, January 31st, 2017

NYT Gives Tour of Soon-to-Open 2nd Ave Subway

Tuesday, December 20th, 2016

Larry Gagosian Holding Fundraiser for Hilary Clinton

Wednesday, August 31st, 2016

New York Times Looks at Extinction of Large-Format Polaroid

Tuesday, June 21st, 2016

AO Auction Results – New York: Christie’s “The Artist’s Muse” Curated Sale, November 9th, 2015

Tuesday, November 10th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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