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Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009

Dakis Joannou

Sunday, November 23rd, 2008

Dakis Joannou

Tuesday, December 25th, 2007

New York – Dan Colen: “Miracle Paintings” at Gagosian Gallery, through October 18th 2014

Friday, September 19th, 2014

Forbes Profiles Jeff Koons-Designed Yacht with Ivana Porfiri

Monday, December 2nd, 2013

AO Newslink

Sunday, July 1st, 2012

AO Newslink

Tuesday, June 5th, 2012

Collectors

Friday, August 5th, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Don’t Miss – New York: Rosson Crow “Bowery Boys” at Deitch Projects, 18 Wooster Street through March 27, 2010

Thursday, March 25th, 2010

AO Breaking News: Jeffrey Deitch Named New Director of Museum of Contemporary Art (MOCA) in Los Angeles

Monday, January 11th, 2010

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

New York artist Dash Snow dies from drug overdose at 27

Tuesday, July 14th, 2009

Matthew Barney and Elizabeth Peyton debut “Blood of Two,” a performance art collaboration in a former slaughterhouse on Hydra Island, Greece

Friday, June 19th, 2009

Newslinks for Saturday August 23, 2008

Saturday, August 23rd, 2008

Newslinks: Thursday June, 19 2008

Thursday, June 19th, 2008

Collectors

Thursday, December 27th, 2007

AO On Site: New Museum’s Spring Gala After Party, Wednesday April 6th 2011

Sunday, April 10th, 2011

Don’t Miss – London: Nigel Cooke at the Modern Art Gallery through May 29th, 2010

Thursday, May 27th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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