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Go see – Boston: ‘Damian Ortega: Do It Yourself’ at the Institute of Contemporary Art through Jan 18, 2010

Wednesday, October 21st, 2009

Damián Ortega Wins ICA Miami’s First Sculpture Prize

Thursday, July 25th, 2019

Mexico City — “xylañynu. taller de los viernes.” Gabriel Orozco, Abraham Cruzvillegas, Damián Ortega, Gabriel Kuri and Dr. Lakra at Kurimanzutto Through March 17th, 2016

Saturday, March 19th, 2016

New York – Damián Ortega at Gladstone Gallery through October 26

Thursday, October 24th, 2013

AO Preview – Mexico City Art Week, February 6th – 10th, 2019

Monday, February 4th, 2019

Finalists for Next Fourth Plinth Sculpture Announced in London

Thursday, January 19th, 2017

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

Museo Jumex Opens in Mexico City

Monday, November 18th, 2013

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

Go See – Berlin: Temporary Tattoo Parlor at Arratia, Beer until May 31st, 2011

Thursday, May 19th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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