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London – Darren Almond: “To Leave a Light Impression” at White Cube Bermondsey, Through April 13th, 2014

Tuesday, February 25th, 2014

New York – “Darren Almond: Hemispheres & Continents” at Matthew Marks, through April 19th 2013

Wednesday, April 17th, 2013

Paris: Darren Almond at Domaine de Chaumont-sur-Loire, France, through November 7, 2012

Friday, May 25th, 2012

Go See – Berlin: Darren Almond at Galerie Max Hetzler through August 1st, 2010

Tuesday, July 27th, 2010

Go See: Darren Almond at the White Cube in London

Monday, January 21st, 2008

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

Living Artists

Thursday, July 7th, 2011

Go See: Tate Triennial ‘Altermodern’ at the Tate Modern, London, through April 26, 2009

Friday, February 6th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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