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New York – Philip-Lorca diCorcia: “Hustlers” at David Zwirner Gallery Through November 2, 2013

Saturday, November 2nd, 2013

AO News Summary – Washington: National Portrait Gallery removes David Wojnarowicz’s Video ‘Fire in my Belly’ after it is Deemed Offensive

Wednesday, December 8th, 2010

AO On-Site: Creative Time’s 2nd Annual Creative Castles Sand Castle Competition at the Far Rockaways, August 9th, 2013

Monday, August 12th, 2013

AO On-Site: NADA New York Art Fair at Basketball City, Through May 12th, 2013

Saturday, May 11th, 2013

Thursday, November 24th, 2011

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

AO On Site – Long Island City: ‘Greater New York’ Opens at PS1 MoMA through October 20, 2010

Monday, May 24th, 2010

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010

AO On Site: Anthony Titus Opening at Museum52

Sunday, January 13th, 2008

Go See – London: Barry McGee at Stuart Shave/Modern Art through August 13th, 2011

Tuesday, August 2nd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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