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Go See – Beijing: Lucian Freud and David Dawson at Faurschou Beijing until August 14th, 2011

Saturday, July 30th, 2011

The Telegraph Tours Lucian Freud’s Kensington Home

Monday, November 3rd, 2014

Susanne du Toit’s portrait of son wins BP portrait award

Friday, June 21st, 2013

London: Lucian Freud ‘Portraits’ at the National Portrait Gallery through May 27, 2012

Monday, February 27th, 2012

Go See – Paris: Lucian Freud L’Atelier at the Centre Pompidou through July 19th 2010a

Sunday, April 25th, 2010

AO Breaking News: Artists Announced for 2010 Whitney Biennial in New York

Friday, December 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Artist Group Postcommodity Opens Installation Commission in Chicago

August 16th, 2019

Artist group Postcommodity have unveiled a commission in Chicago reflecting on the history of migrant cultures in the United States, and calling on the U.S. government to create space for those deprived of basic human rights. “We need to acknowledge this migration in real time and start preparing for that transformation. Rather than fight it, embrace it,” member Kade L. Twist said. “There’s a lot to learn from how Black people were treated and disregarded through most of [the Great] Migration. There’s a desperate need to humanize.”
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The Guardian Interviews Life Models on Their Work Posing for Artists

August 16th, 2019

The Guardian speaks with a group of life models on their practice sitting in a studio, and their perspectives on their job posing for learning artists. “I’d been waiting for someone to tell me it’s fine to pose for students if you’re different,” says Suzon Lagarde, a painter. “You might feel vulnerable posing, but as a painter I also know how vulnerable people can feel behind the easel – you are always questioning and judging yourself. I soon realized we are a team, all trying to be brave.”
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NYT Profiles Recent Private Collection Database Startup

August 16th, 2019

The NYT profiles a recent digital venture, Collecteurs, which serves as a database for private collections. “If I don’t put them in some kind of public database, these works essentially disappear from the planet,” says collector Roberto Toscano.
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