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David Hammons Profiled in New Yorker

Tuesday, December 3rd, 2019

Whitney Breaks Ground on Monumental David Hammons Sculpture

Wednesday, September 18th, 2019

David Hammons Designs Limited Edition Release of Ornette Coleman Works

Wednesday, July 24th, 2019

New York – David Hammons at Hauser & Wirth Through August

Thursday, July 11th, 2019

Broad Acquires Major David Hammons, Mark Bradford Works

Friday, June 14th, 2019

Dawoud Bey’s Collaborations with David Hammons Profiled in NYT

Thursday, May 2nd, 2019

Whitney Unveils David Hammons Work for Piers

Friday, October 6th, 2017

New York – David Hammons: “Five Decades” at Mnuchin Gallery Through May 27th, 2016

Sunday, May 15th, 2016

David Hammons Work from Mnuchin Gallery on Block for Christie’s Sale

Friday, April 15th, 2016

Tom Finklepearl and Thomas Lax Discuss David Hammons in Triple Canopy

Tuesday, December 15th, 2015

David Hammons Buys Warehouse Space in Yonkers

Tuesday, April 15th, 2014

AO ON-SITE – MIAMI BEACH: ART BASEL MIAMI BEACH 2019 AT MIAMI BEACH CONVENTION CENTER, DECEMBER 4th – 8TH, 2019

Wednesday, December 4th, 2019

Whitney Museum Receives $1 Million Grant from Keith Haring Foundation

Saturday, November 23rd, 2019

AO On-Site – New York: Frieze New York Art Fair on Randall’s Island, May 2nd – 5th, 2019

Thursday, May 2nd, 2019

White Columns Moving to New Space on Horatio

Wednesday, October 11th, 2017

New Plans for Public Art Emerge from Ashes of Barry Diller’s Hudson Island Proposal

Wednesday, September 20th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

Los Angeles – Jimmie Durham: “At the Center of the World” at the Hammer Museum Through May 7th, 2017

Thursday, March 30th, 2017

Glenn Ligon Featured in NYT’s ‘Show Us Your Wall’ Segment

Saturday, January 28th, 2017

Detroit Institute of Arts Launches Commitment to African-American Art

Thursday, July 21st, 2016

New York — Glenn Ligon: “What We Said The Last Time” and “We Need To Wake Up Cause That’s What Time It Is” at Luhring Augustine Through April 17th, 2016

Thursday, April 14th, 2016

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

CNN Looks at Business and Legality of Removing and Selling Street Art Pieces

January 21st, 2020

CNN has a piece this week on the business behind removing and selling street art murals, and the legality that drives who can remove and sell a piece. “Generally, when you purchase a building, you own the fixtures within the building, whether they’re ceiling fans or [a] fine art mural painting on a wall,” says Paul Cossu, a partner at legal firm Pryor Cashman and part of the firm’s art law group. “Of course, what an owner can do with a fine art mural after acquiring the building will depend, in part, on whether the mural is protected by the Visual Artists Rights Act.”
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Art Thieves Confess to Stealing Gustav Klimt Work and Returning It

January 21st, 2020

Two men have confessed to stealing the Gustav Klimt recently discovered in the wall of a Piacenza gallery, as well as to returning the work. “They said they returned the painting four years ago,” says Guido Gulieri, the pair’s lawyer. “But we don’t yet know the details of how it came to be [in the recess] and what exactly happened to the painting in the intervening years. They had confessed before but were not believed.”
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Desert X AlUla Annnounces Artist List

January 21st, 2020

The inaugural edition of Desert X AlUla in Saudi Arabia has announced its artist list, including work by Lita Albuquerque, Wael Shawky, Superflex, and more. This edition of the event has earned strong condemnation for its part in the country’s push to rebrand itself as open and free after the murder of journalist Jamal Khashoggi.  “Unless artists are willing to make their host’s state control of expression an explicit subject of their work, those who participate cannot escape compromise from the polluted context,” says critic Christopher Knight.
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