Search Results

Berlin – Peter Fischli and David Weiss at Sprüth Magers Through April 13th, 2013

Thursday, April 4th, 2013

London – “Peter Fischli / David Weiss: Walls, Corners, Tubes” at Sprueth Magers, Through November 10th, 2012

Saturday, November 3rd, 2012

Go See- New York: Peter Fischli and David Weiss Multi-location exhibit at all three Matthew Marks Galleries through January 16th, 2010

Wednesday, December 16th, 2009

Don’t Miss – Zürich: Peter Fischli/David Weiss at Eva Presenhuber through July 31, 2009

Tuesday, July 21st, 2009

Peter Fischli & David Weiss

Friday, November 28th, 2008

Zurich – Fischli Weiss: “Airports and Cars” at Galerie Eva Presenhuber Through July 11th, 2022

Thursday, July 7th, 2022

London – Fischli/Weiss: “Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?” at Sprüth Magers Through March 14th, 2020

Monday, January 27th, 2020

New York – Fischli/Weiss: “How to Work Better” at The Guggenheim Museum Through April 27th, 2016

Monday, April 18th, 2016

Berlin – Fischli/Weiss: “Eine Ansammlung Von Gegenständen” at Sprüth Magers Berlin Through August 30th, 2014

Friday, August 22nd, 2014

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See: ‘Sonne, Mond und Sterne,’ by Fischli and Weiss, at Spruth Magers Gallery, Berlin, through January 21st, 2009

Saturday, December 27th, 2008

London – Peter Fischli at Sprüth Magers Through July 31st, 2021

Tuesday, June 15th, 2021

New York – Peter Fischli: “Cans, Bags and Boxes” at Reena Spaulings Through September 23rd, 2018

Tuesday, August 14th, 2018

AO Newslink

Friday, April 27th, 2012

AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See – Berlin: George Condo at Sprüth Magers through March 2010

Saturday, February 13th, 2010

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009

AO On Site – Basel: ART 40 BASEL opened today, initial reports indicate solid activity

Wednesday, June 10th, 2009

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008

Newslinks for Wednesday, September 24, as summer’s China-focused news comes to an end, Autumn news centers on Russia

Wednesday, September 24th, 2008

Sotheby’s Files Lawsuit Over Allegedly Fake Frans Hals Work

Wednesday, February 8th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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