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London – Tacita Dean at Frith Street Gallery, Through October 26th, 2013

Tuesday, October 8th, 2013

New York – Tacita Dean: “Fatigues” at Marian Goodman Gallery Through March 9, 2013

Sunday, March 3rd, 2013

Go See – London: “Twombly and Poussin: Arcadian Painters” and Tacita Dean’s Film “Edward Parker” at Dulwich Picture Gallery Through September 25th

Wednesday, August 10th, 2011

Go See-London: Tacita Dean’s Craneway Event at Frith Street Gallery through June 23, 2010

Saturday, May 15th, 2010

New York – Dean Levin: “Arches” at Marianne Boesky Through December 22nd, 2017

Sunday, December 17th, 2017

New York – Tacita Dean : ‘…my English breath in foreign clouds’ at Marian Goodman, New York Through April 23, 2016

Saturday, April 23rd, 2016

New York – Dean Levin: “A Long, Narrow Mark” at Boesky East Through June 7th, 2015

Monday, June 8th, 2015

New York – Richard Prince: “New Portraits” at Gagosian Gallery Through October 25th, 2014

Thursday, October 23rd, 2014

New York – Rene Ricard: “Remember” at Half Gallery Through September 8th, 2014

Friday, September 5th, 2014

New York – Andy Freeberg: “Art Fare” at Andrea Meislin Gallery, through August 8th 2014

Tuesday, August 5th, 2014

Tacita Dean Interviewed in Guardian

Tuesday, September 17th, 2013

Go See – NY: “La Carte D’Aprés Nature” curated by Thomas Demand and featuring René Magritte, Rodney Graham, Tacita Dean at Matthew Marks through October 8th, 2011

Friday, September 2nd, 2011

AO on site Photoset – Paris: Antony Gormley opening “For the Time Being” at Thaddaeus Ropac Gallery, through June 4, 2011

Friday, May 6th, 2011

AO News Summary – London: Tacita Dean awarded Unilever Commission for Tate Modern’s Turbine Hall

Wednesday, December 15th, 2010

Go See – London: Emily Prince’s ‘The American Servicemen and Women Who Have Died in Iraq and Afghanistan (But Not Including the Wounded, nor the Iraqis, nor the Afghans’ at The Saatchi Gallery, London, through May 7th

Monday, January 18th, 2010

Go See – New York: ‘WHITE NOISE’ at James Cohan Gallery through August 12, 2009

Wednesday, July 29th, 2009

AO On Site (with video): Doug Aitken ‘Migration’ at 303 Gallery, Saturday, September 20, 2008

Tuesday, September 23rd, 2008

AO On Site: 303 Gallery’s 25th Anniversary Summer Celebration, Wednesday night, July 23 NYC (Update1)

Friday, July 25th, 2008

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

New York – CONDO New York: Sultana and Chateau Shatto Hosted by Foxy Production Through July 28th, 2017

Sunday, July 16th, 2017

New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

London – The Turner Prize Exhibition at Tate Britain Through January 2nd, 2017

Sunday, October 30th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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