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Denver Art Museum Gets $25 Million for Building Renovation

Friday, December 9th, 2016

Denver Art Museum Receives Major Gift of French Impressionist Works

Tuesday, January 14th, 2014

Denver and Seattle Art Museums Wager Works Over Superbowl Outcome

Friday, January 31st, 2014

Denver Museum Receives Major Donation of Western Art

Thursday, August 15th, 2013

AO Onsite Auction Results – New York: Contemporary Art Evening Sales at Christie’s and Sotheby’s Bring in Over $550M, Several Artist Records Set

Thursday, November 10th, 2011

AO Onsite Auction Preview – New York: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions November 7-9, 2011

Monday, November 7th, 2011

Go See – Berlin: Daniel Richter ‘OH LA LA’ at Contemporary Fine Arts through August 1, 2009

Tuesday, July 21st, 2009

Go See – Duisburg, Germany: Gerhard Richter ‘Paintings from Private Collections’ at Museum Küppersmühle through August 23, 2009

Monday, June 29th, 2009

Christie’s to cut workforce in effort to reduce costs in soft art market

Tuesday, January 13th, 2009

Stockholm – Brad Kahlhamer: “The Four Hairs” at Andréhn-Schiptjenko Through March 29th, 2014

Thursday, March 27th, 2014

Kehinde Wiley

Thursday, January 3rd, 2008

New York Times Spotlights Work Focused on Jean-Michel Basquiat’s Personal Life

Wednesday, February 15th, 2017

London – Francesca Woodman: “Zigzag” at Victoria Miro Through October 4th, 2014

Saturday, September 27th, 2014

Texas DOT Reaches Agreement to Preserve Prada Marfa

Wednesday, September 17th, 2014

New York – Philip-Lorca diCorcia: “Hustlers” at David Zwirner Gallery Through November 2, 2013

Saturday, November 2nd, 2013

New York – “Adrian Ghenie: New Paintings” at Pace, through May 4th 2013

Saturday, April 27th, 2013

New York – Guillermo Kuitca: “Diarios” at The Drawing Center Through December 16th, 2012

Tuesday, December 11th, 2012

AO Newslink

Sunday, June 10th, 2012

AO On Site – New York: Zhang Enli at Hauser and Wirth through October 29, 2011

Thursday, September 29th, 2011

AO On Site – NY: 'Ai Weiwei: New York Photographs 1983-1993,' at Asia Society through August 14th, 2011

Friday, July 29th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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