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Detroit Institute of Arts Makes Renewed Effort Towards Contemporary Work with New Curatorial Hires

Monday, November 28th, 2016

Detroit Institute of Arts Launches Commitment to African-American Art

Thursday, July 21st, 2016

Detroit Institute of Arts Volunteer Donates $1.7 Million to Museum

Thursday, January 14th, 2016

Detroit Institute of Arts Scrambling for Major Endowment Drive

Tuesday, November 24th, 2015

Detroit Institute of Arts Receives $26 Million Pledge from Various Businesses

Friday, July 18th, 2014

Detroit Institute of Arts Collection Valued at $4.6 Billion

Sunday, July 13th, 2014

Automakers Prep Large Donation to Rescue Detroit Institute of Arts

Wednesday, May 14th, 2014

Detroit Nears Pension Cuts Deal that Could Spin Off Detroit Institute of Arts

Tuesday, April 15th, 2014

Detroit Creditor Hits Detroit Institute of Arts with Major Subpoena

Thursday, April 3rd, 2014

Detroit Institute of Arts Pledges $100 Million to Save Collection

Friday, January 31st, 2014

Detroit Institute of Arts Will Not Be Forced into a Second Valuation of its Collection

Sunday, January 26th, 2014

Detroit Institute of Arts Valuation is In: $454 million to $867 million

Monday, December 23rd, 2013

Detroit Creditors Take First Step Towards Sale of Detroit Institute of Arts Collection

Sunday, December 1st, 2013

Detroit Creditors Push for Independent Valuation of Detroit Institute of Arts Collection

Wednesday, November 27th, 2013

Detroit Institute of Arts Considers Moving to State Ownership

Tuesday, October 8th, 2013

Detroit Institute of Arts Director Restates Sale of Museum Works Would Close Museum

Tuesday, September 3rd, 2013

Detroit Institute of Arts Collection Cannot Be Sold, Director Says

Sunday, May 26th, 2013

Detroit Institute of the Arts Contends with Uncertain Future

Thursday, October 3rd, 2013

Detroit Institute of the Arts Director Writes Response to Museum Alarmists

Thursday, August 1st, 2013

Art Market Monitor Publishes Perceptive Take on Detroit Bankruptcy, fate of DIA Collection

Tuesday, September 2nd, 2014

Detroit Bankruptcy Exit Shadowed by Potential Legal Issues

Thursday, August 28th, 2014

Detroit Bond Insurer Syncora Files Complaint Over Management of Bankruptcy Settlements

Friday, August 15th, 2014

New York – “Another Look at Detroit” at Marlborough Chelsea and Marianne Boesky Through August 8th, 2014

Friday, August 8th, 2014

Detroit Institute of Art To Recieve $1 Million from Toyota

Wednesday, August 6th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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