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Robert Ryman Donates Collection of His Works to Dia:Beacon

Thursday, April 13th, 2017

AO On Site – Dia: Beacon: ‘Passport’ by Robert Whitman

Thursday, April 21st, 2011

Dia Art Foundation Receives Directorship Endowment

Monday, October 30th, 2017

Dia Art Foundation Adds Anne Truitt to Permanent Collection

Friday, February 3rd, 2017

Collection of Robert Ryman Paintings Headed to Dia this December

Monday, July 20th, 2015

Opposition to Dia Collection Sale Goes Public

Sunday, July 14th, 2013

Dia Foundation will auction works in November

Sunday, June 30th, 2013

New York – Summer Group Show at Marian Goodman Gallery Through July 31st, 2015

Wednesday, July 15th, 2015

Go See – New York: Dan Flavin at Paula Cooper Gallery through October 30, 2010

Friday, September 17th, 2010

Frances Tries Cultural Diplomacy in Tehran as Louvre Show Opens

Wednesday, March 7th, 2018

New York – Patrick Meagher: “Suggested for You” at Equity Gallery Through April 30th, 2016

Saturday, April 30th, 2016

New York – Carl Andre at Paula Cooper Gallery Through July 25th 2014

Tuesday, July 22nd, 2014

New York – Robert Ryman: “Recent Paintings” at Pace Gallery Through Oct 26th, 2013

Sunday, September 29th, 2013

New York – Sol LeWitt at the Paula Cooper Gallery through October 12, 2013

Thursday, September 12th, 2013

London – Robert Irwin at Pace London, through August 17th 2013

Monday, August 5th, 2013

AO Preview – Venice: The 55th Venice Biennale, June 1st-November 24th, 2013

Tuesday, May 28th, 2013

New York – Ai Weiwei: “Forge” at Mary Boone Gallery Through December 21st, 2012

Friday, December 7th, 2012

London: ‘Bauhaus: Art As Life’ at The Barbican Art Gallery through August 12, 2012

Friday, June 8th, 2012

Go See – Washington D.C.: Andy Warhol 'Shadows' at the Hirshhorn Museum and Sculpture Garden through January 15, 2012

Saturday, January 7th, 2012

Sunday, July 17th, 2011

Don’t Miss – New York: “50 Americans” by Robert Mapplethorpe at Sean Kelly Gallery through June 18th, 2011

Friday, June 17th, 2011

Go see – New York: Robert Ryman at Pace Wildenstein through March 27, 2010

Monday, March 15th, 2010

Newslinks for Friday, March 27, 2009

Friday, March 27th, 2009

Newslinks for Friday August 22nd, 2008

Friday, August 22nd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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