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Dia Foundation Adds Two Board Members

Wednesday, March 2nd, 2016

Dia Foundation Abandons Building Plans in Favor of Existing Real Estate

Wednesday, September 30th, 2015

Dia Foundation Buys “Dream House”

Saturday, April 4th, 2015

Dia Foundation Use of Dan Flavin Work Leads to Debate

Tuesday, November 4th, 2014

Jessica Morgan to Take Over Directorship at Dia Foundation

Thursday, September 11th, 2014

Dia Foundation will auction works in November

Sunday, June 30th, 2013

Dia Art Foundation Receives Directorship Endowment

Monday, October 30th, 2017

Abby Bangser Leaves Frieze for Special Position at Dia Art Foundation

Wednesday, May 17th, 2017

Dia Art Foundation Adds Anne Truitt to Permanent Collection

Friday, February 3rd, 2017

Dia Art Foundation Gets $735,000 Grant from Mellon Foundation

Friday, April 8th, 2016

AO On-Site Photoset – New York: Bruce High Quality Foundation Fundraiser Gala and “Arcadia” Exhibition, November 5th, 2015

Wednesday, November 11th, 2015

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

Rauschenberg Foundation to Launch Marfa Dialogues in New York

Wednesday, July 17th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

Go See – New York: Dominique Gonzalez-Foerster 'chronotopes & dioramas' presented by the Dia Art Foundation at the Hispanic Society of America through April 18, 2009

Friday, November 20th, 2009

New York — Ashley Bickerton at The FLAG Art Foundation Through December 16th, 2017

Wednesday, December 13th, 2017

Catherine Opie Joins Board of Mike Kelley Foundation

Sunday, December 3rd, 2017

Dia Adds Works by Kishio Suga, Lee Ufan to Collection

Tuesday, July 11th, 2017

New York – Hanne Darboven and Kishio Suga at Dia:Chelsea Through July 29th, 2017

Tuesday, July 11th, 2017

Art Newspaper Profiles Souls Grown Deep Foundation

Friday, June 9th, 2017

Robert Ryman Donates Collection of His Works to Dia:Beacon

Thursday, April 13th, 2017

Dia Chair Nathalie de Gunzberg Profiled in NYT

Monday, February 20th, 2017

NEW YORK – MICHAEL ELMGREEN AND INGAR DRAGSET: ‘CHANGING SUBJECTS’ AT THE FLAG ART FOUNDATION THROUGH DECEMBER 17TH, 2016

Sunday, December 11th, 2016

AO On-Site – New York: Steven Shearer Opening Party at the Brant Foundation, On View Through March 2017

Friday, November 18th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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