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New York – Dieter Roth: “wait, later this will be nothing” at the MoMA, through June 24th 2013

Monday, June 17th, 2013

AO Onsite – New York: ‘Dieter Roth. Björn Roth’ at Hauser & Wirth’s New Chelsea Location

Thursday, January 31st, 2013

Milan – Dieter & Björn Roth: “Islands” at HangarBiocca Through Febraury 9th, 2014

Saturday, January 25th, 2014

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017

AO On-Site – Venice: The 55th Venice Biennale, Opening Day

Thursday, May 30th, 2013

AO On Site – Basel: Art Parcours night at Art 43 Basel, June 13, 2012

Friday, June 15th, 2012

Don’t Miss – Düsseldorf: ‘Eating the Universe. Food in Art’ at Kunsthalle Düsseldorf through February 28, 2010

Thursday, February 18th, 2010

Go See: Lauffs Collection at Hauser & Wirth, Zürich through July 26

Thursday, June 26th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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