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AO On Site – New York: Nicholas Party 'Still life, Stones and Elephants,' Jimmie Durham 'Marquette for a Museum of Switzerland,' and Pati Hertling 'Heart to Hand' featuring Zoe Leonard, Klara Liden, Adam Pendleton, Oscar Tuazon, and Elias Hansen at Swiss Institute through April 15, 2012

Tuesday, April 3rd, 2012

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016

AO On Site (with video and photoset) – Greenwich, CT: Karen Kilimnick at The Brant Foundation Sunday May 6th, show runs through September 2012

Monday, May 7th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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