Search Results

Los Angeles – Eliza Douglas: “Orgy of the Sick” at Overduin and Co. Through August 14th, 2021

Friday, August 13th, 2021

London – Anne Imhof: “Avatar II” at Sprüth Magers Through December 23rd, 2022

Wednesday, December 7th, 2022

AO On-Site – Anne Imhof: “Natures Mortes” at Palais de Tokyo Through October 24th, 2021

Monday, November 1st, 2021

AO On-Site – New York: Frieze New York at Randall’s Island, May 3rd – 6th, 2018

Friday, May 4th, 2018

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

Venice – Anne Imhof: ‘Faust’ at the German Pavilion, Winner of the Golden Lion for Best Pavilion at the Venice Biennale Through November 26th, 2017

Monday, June 26th, 2017

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

Living Artists

Thursday, July 7th, 2011

AO Onsite Auction/Event Review: The 16th Annual Watermill Summer Benefit, Watermill, New York. Saturday July 25, 2009

Wednesday, July 29th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Pussy Riot wins Court Case Over Attack During 2014 Olympics

August 31st, 2023

The European Court of Human Rights has ruled that Moscow must pay more than $100,000 in damages to the collective Pussy Riot over a violent attack during the 2014 Olympics. “The attack has been established ‘beyond reasonable doubt,’ and that the situation in which the applicants found themselves during the attack was not compatible with respect for their human dignity,” the court ruled.
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Ace Gallery Works Liquidated to Cover Debts

August 31st, 2023

Hundreds of works from the collection of the Ace Gallery are to be auctioned off, Art News reports, and used to pay debts run up by its founder since closing.
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NYT Covers Controversies Around Work of Hilma af Klint

August 31st, 2023

A NYT article looks at the rise in popularity of Hilma af Klint and some surrounding controversies, including an IP battle and questions over the artist’s sole authorship of some works. “I have to shift my mind-set on how these are collaborative works and not Hilma works,” says Guggenheim curator Tracey Bashkoff.
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