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Los Angeles — Ellen Gallagher: “Accidental Records” at Hauser & Wirth Through January 28th, 2018

Monday, December 18th, 2017

Artists Adam Pendleton, Rashid Johnson, Ellen Gallagher and Julie Mehretu Buy Nina Simone’s Birthplace

Friday, March 3rd, 2017

New York – Ellen Gallagher “Don’t Axe Me” at New Museum Through September 15, 2013

Friday, August 30th, 2013

New York — “Blackness in Abstraction” at Pace Gallery Through August 19th, 2016

Monday, August 8th, 2016

AO Breaking News: Artists Announced for 2010 Whitney Biennial in New York

Friday, December 11th, 2009

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Go See: Chuck Close Paintings and Tapestries at PaceWildenstein, New York through June 20, 2009

Friday, May 15th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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