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Don’t Miss – London: Wim Wenders and Eve Sussman at Haunch of Venison through May 14th, 2011

Tuesday, May 10th, 2011

AO On-Site – New York: SPRING/BREAK Art Show in the Skylight at Moynihan Station, March 1st – 7th, 2016

Saturday, March 5th, 2016

Brooklyn’s Monkeytown Comes to Manhattan

Thursday, June 13th, 2013

Painter Jane Wilson Has Passed Away at 90

Tuesday, January 20th, 2015

New York – AO On Site: Independent Curators International Annual Fall Benefit & Auction, Monday, November 19th, 2012

Tuesday, November 20th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

Go See – Berlin: Gordon Matta-Clark at Galerie Thomas Schulte through July 31, 2010

Sunday, July 18th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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