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Don’t Miss – London: Wim Wenders and Eve Sussman at Haunch of Venison through May 14th, 2011

Tuesday, May 10th, 2011

AO On-Site – New York: SPRING/BREAK Art Show in the Skylight at Moynihan Station, March 1st – 7th, 2016

Saturday, March 5th, 2016

Brooklyn’s Monkeytown Comes to Manhattan

Thursday, June 13th, 2013

Painter Jane Wilson Has Passed Away at 90

Tuesday, January 20th, 2015

New York – AO On Site: Independent Curators International Annual Fall Benefit & Auction, Monday, November 19th, 2012

Tuesday, November 20th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

Go See – Berlin: Gordon Matta-Clark at Galerie Thomas Schulte through July 31, 2010

Sunday, July 18th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jerry Saltz Triumphs Over TriBeCa’s Art World Ascendance

September 18th, 2019

Jerry Saltz pens a piece in NY Mag this week trumpeting the return of the TriBeCa art scene, as a range of galleries open in the neighborhood. “Against all odds, can New York have a good art neighborhood with a walkable density of galleries?” He asks.  “Galleries with wooden floors, flaws, and funny footprints, which are more like where artists actually make art than all those perfect, concrete-floored slick showrooms?”
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Whitney Breaks Ground on Monumental David Hammons Sculpture

September 18th, 2019

The Whitney has broken ground on David Hammons’s Day’s End (2020), a permanent install across from the museum in the southern edge of Gansevoort Peninsula.  The piece is referred to by the artist as a “ghost monument” to Gordon Matta-Clark’s 1975 work of the same name in the same location.
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Ragnar Kjartansson Interviewed on Making ‘The Visitors’

September 18th, 2019

The Guardian’s running series of highlights of 21st Century arts features Ragnar Kjartansson’s The Visitors, calling it the best artwork of the 21st Century so far.  “It has a special place in my heart, but it was such a feelgood piece that I had to make some really dark shit afterwards,” he says of his work. “No artist has a favorite piece. Maybe you can pick one when you’re really old – but it’s something I’m super proud of. It took on a life of its own.”
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