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Stolen Emil Nolde Returned After Failed Ransom Attempt in Denmark

Wednesday, January 24th, 2018

New York – FAILE : “Savage / Sacred Young Minds” at Brooklyn Museum Through October 4th, 2015

Sunday, July 26th, 2015

New York City Ballet Partners with FAILE for Inaugural Art Series

Sunday, January 6th, 2013

Art News: Christie’s Sued over Bacon that Failed to Sell

Friday, March 27th, 2009

Report cites 60% of London auction lots failed to achieve expected prices; Sotheby’s stock falls 7%

Friday, March 7th, 2008

Art News Details Conditions Behind Shake-Up at MOCA LA

Tuesday, March 20th, 2018

AO Auction Results – London: Sotheby’s Contemporary Sale, March 7th, 2018

Thursday, March 8th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

Louvre Abu Dhabi Causes Uproar Over Map’s Omission of Qatar

Wednesday, January 24th, 2018

Lubaina Himid Wins Turner Prize

Wednesday, December 6th, 2017

AO Auction Recap – London: Sotheby’s Contemporary Art Evening Sale, October 5th, 2017

Friday, October 6th, 2017

Sam Durant to Dismantle Gallows Sculpture in Minneapolis

Wednesday, May 31st, 2017

London – Ibrahim Mahama: “Fragments” at White Cube Through April 13th, 2017

Wednesday, March 22nd, 2017

AO Auction Results – London: Sotheby’s Post-War and Contemporary Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Sale, March 1st, 2017

Wednesday, March 1st, 2017

Sotheby’s Leads London Sale with Richter Iceberg Painting

Friday, January 20th, 2017

German Exhibition of Iranian Art Collection Postponed

Monday, November 28th, 2016

AO Auction Results – New York: Christie’s Post-War and Contemporary Evening Sale, November 15th, 2016

Wednesday, November 16th, 2016

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 14th, 2016

Tuesday, November 15th, 2016

Miami-Dade College Loses Court Case Against Dealer Gary Nader

Wednesday, October 26th, 2016

London’s Mayor Gallery Suing Agnes Martin Catalogue Raisonné Publishers Over Excluded Works

Tuesday, October 25th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, June 27th, 2016

Tuesday, June 28th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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