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AO On Site, Venice – Marc Quinn at Fondazione Giorgio Cini, May 29th – September 29th, 2013

Friday, May 31st, 2013

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Anish Kapoor’s “Ascension” at Basilica San Giorgio di Maggiore

Saturday, June 4th, 2011

AO Interview – Not Vital Speaks with Quincy Childs on His Current Show at Alma Zevi, On View Through November 6th, 2021

Tuesday, October 26th, 2021

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

Venice – Jenny Holzer: “War Paintings” at the Museo Correr Through November 22nd, 2015

Friday, May 8th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

New York – Marc Quinn: “All the Time in the World” at Mary Boone Gallery Through June 29th, 2013

Thursday, June 27th, 2013

AO On Site – Venice: “Fragile?” at Le Stanze del Vetro Through July 28th, 2013

Tuesday, June 4th, 2013

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011
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NEWS

Picasso Descendents Prepare NFT Auction of Artist’s Ceramics

January 27th, 2022

Pablo Picasso’s grandaughter Marina Picasso, and her son, Florian, are preparing to release a series of NFTs of the artist’s hand-painted ceramics. “It’s a work that represents a face, and it’s very expressive,” Marina Picasso says. “It’s joyful, happy. It’s one of those objects that have been part of our life, our intimate lives—my life with my children.”
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Whitney Releases Artist List for 2021 Biennial

January 27th, 2022

The Whitney has released a 63-artist list for its upcoming Biennial, which will open this April, under the title “Quiet as It’s Kept.” “The Whitney Biennial is an ongoing experiment, the result of a shared commitment to artists and the work they do,” curators David Breslin and Adrienne Edwards said in a statement. “While many of these underlying conditions are not new, their overlapping, intensity, and sheer ubiquity created a context in which past, present, and future folded into one another. We’ve organized the exhibition to reflect these precarious and improvised times. The Biennial primarily serves as a forum for artists, and the works that will be presented reflect their enigmas, the things that perplex them, the important questions they are asking.”
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Charles Ray Profiled in NYT

January 27th, 2022

Charles Ray gets a profile in the NYT this week, as he prepares to open a new show at The Met. “The pace and rate at which Ray works are important,” says Hamza Walker, the director of the nonprofit art space LAXART in Los Angeles. “It’s perverse on the one hand; he could sit with something for 20 years.” Ray, he observes, “distills down what we think we know, and it somehow becomes resonant, and produces reflections that show there’s so much more here than you know.”


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