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Fondazione Prada Lends Sculpture to National Museum of Iran

Monday, August 24th, 2015

Fondazione Prada Unveils OMA-Designed Building for Milan

Thursday, December 11th, 2014

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

Go See – Milan: John Baldessari at the Prada Foundation through December 26, 2010

Sunday, December 19th, 2010

The Guardian Profiles New Rem Koolhaas Designed Museums in Europe

Monday, June 15th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

London – John Baldessari: “Pictures & Scripts” at Marian Goodman Gallery Through April 25th, 2015

Sunday, April 12th, 2015


Thursday, July 7th, 2011

Don’t Miss – Salzburg: Marc Quinn ‘MATERIALIZE DEMATERIALIZE: NEW SCULPTURES AND PAINTINGS’ at Galerie Thaddaeus Ropac through July 11, 2009

Thursday, July 9th, 2009

Go See: Carsten Höller’s “Reindeers and Spheres” at the Gagosian Gallery, Los Angeles, Through February 14th

Tuesday, January 13th, 2009

Anish Kapoor

Thursday, January 3rd, 2008

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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Marc Chagall Painting from National Gallery of Canada Features in Christie’s May Sale in New York

March 22nd, 2018

Chagall-La-Tour-Eiffel, via Art Market MonitorA 1929 Marc Chagall painting of the Eiffel Tower in Paris is being sold by the National Gallery of Canada at Christie’s this May in New York, and will be used to pay for new acquisitions.  “Filled with an air of sensuous, passionate romance, Marc Chagall’s La Tour Eiffel (estimate: $6-9 million) encapsulates the wonderfully poetic style that emerged in his oeuvre during the 1920s and 1930s,” the auction house said in a statement. “It was during this period that he experienced unprecedented period of happiness, stability, comfort and professional success amidst.”
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