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London – Heather Phillipson: “The End” Trafalgar Square Fourth Plinth Commission

Monday, August 3rd, 2020

Fourth Plinth Sculpture Unveiled Delayed

Monday, March 23rd, 2020

Fourth Plinth Artist Heather Phillipson Interviewed in The Guardian

Wednesday, March 11th, 2020

London – Michael Rakowitz’s ‘The Invisible Enemy Should Not Exist’ Opens on London’s Fourth Plinth

Friday, March 30th, 2018

Fourth Plinth Commissions Announced for 2018 and 2020

Tuesday, March 21st, 2017

Finalists for Next Fourth Plinth Sculpture Announced in London

Thursday, January 19th, 2017

New York’s High Line to Establish its Own Version of London’s Fourth Plinth

Wednesday, January 11th, 2017

London – David Shrigley’s “Really Good” Unveiled for Trafalgar Square’s Fourth Plinth Commission

Wednesday, October 5th, 2016

David Shrigley’s Fourth Plinth Statue Goes on View in London

Thursday, September 29th, 2016

Hans Haacke Prepares to Install Sculpture on London’s Fourth Plinth

Tuesday, March 3rd, 2015

David Shrigley and Hans Haacke Selected For London’s Fourth Plinth

Saturday, February 8th, 2014

London Releases Shortlist for New Fourth Plinth Installation

Tuesday, September 24th, 2013

Six Artists on the Shortlist for Empty Fourth Plinth

Thursday, September 5th, 2013

Fritsch’s Blue Cockerel Finally Unveiled on Fourth Plinth

Saturday, July 27th, 2013

New Sculpture for London’s Fourth Plinth Raises Ire of Local Planning Group

Friday, May 3rd, 2013

AO On Site – London: Elmgreen & Dragset’s Fourth Plinth installation ‘Powerless Structures, Fig. 101′ at Trafalgar Square through February 2013

Thursday, February 23rd, 2012

AO News Summary: London’s 2012 and 2013 Fourth Plinth Winners Announced: German ‘Hahn/Cock’ and Scandinavian ‘Powerless Structures, Fig. 101′

Sunday, January 16th, 2011

Go See – London: “One & Other” on The Fourth Plinth by Antony Gormley in Trafalgar Square through October 14th 2009

Wednesday, July 15th, 2009

Antony Gormley in search of volunteers for Fourth Plinth installation at Trafalgar Square, London

Thursday, March 5th, 2009

The Fourth Plinth Contest at the National Gallery in London

Friday, January 25th, 2008

New York – Hans Haacke: “All Connected” at The New Museum Through January 26th, 2020

Friday, January 24th, 2020

Artists Raise Concerns Over New Prime Minister Boris Johnson’s Record on the Arts

Wednesday, July 24th, 2019

Hans Haacke Profiled in New York Times

Monday, October 27th, 2014

New York – “Sculpture” at Matthew Marks Gallery Through April 19th, 2014

Monday, March 24th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Controversial Nick Cave Installation Heads to Brooklyn Museum

January 15th, 2021

The Brooklyn Museum will install Nick Cave’s piece Truth Be Told outside the museum, which generated controversy last during its installation at the Jack Shainman space in Kinderhook, NY.  “Museums are being called on to tell the truth, from the painful to the celebratory,” says museum director Anne Pasternak. “We can invite a constructive conversation.”
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Guggenheim Names Naomi Beckwith as Deputy Director and Chief Curator

January 15th, 2021

The Guggenheim has appointed Naomi Beckwith, formerly senior curator of the Museum of Contemporary Art Chicago as deputy director and chief curator. “If you look out over the cultural landscape — particularly in the U.S. — she is quite obviously one of the outstanding leaders of today with a huge potential as well,” says museum director Richard Armstrong. “She’s very adept at issues of identity and, particularly, multidisciplinary art. We have to think about the Guggenheim’s growth over the next few years, so it needs to be a person with enormous capacity.”
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Bloomberg Charts Rush of Galleries Moving Works Out of UK Before Brexit

January 15th, 2021

A piece in Bloomberg charts the rush by galleries to move works out of the UK before Brexit goes into effect. “The higher up the market, the more global it is,” says Anthony Browne, chairman of the British Art Market Federation, regarding the challenges posed by shipping more works outside of the UK borders. “It’s the smaller galleries and dealers and mid-market ones that have buyers in the EU that will be mostly affected.”
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