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New York – CONDO New York: Sultana and Chateau Shatto Hosted by Foxy Production Through July 28th, 2017

Sunday, July 16th, 2017

Foxy Production

Tuesday, December 25th, 2007

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

Hauser & Wirth Signs Deal to Represent Sterling Ruby

Saturday, December 15th, 2012

AO On Site – New York: The Dependent Art Fair, March 10, 2012

Sunday, March 18th, 2012

Ruby Sterling

Thursday, January 3rd, 2008

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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