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Francesco Vezzoli Interviewed in The Guardian

Tuesday, January 5th, 2016

London – Francesco Vezzoli’s “Eternal Kiss” at Almine Rech Through October 3rd, 2015

Monday, September 14th, 2015

Cindy Sherman Set to Star in Francesco Vezzoli Directed Film

Monday, August 10th, 2015

New York – Francesco Vezzoli: “Teatro Romano” at MoMA PS1 Through March 9th, 2015

Thursday, March 5th, 2015

Los Angeles – Francesco Vezzoli: “Cinema Vezzoli” at MOCA Through August 11th, 2014

Thursday, June 5th, 2014

Rome: Francesco Vezzoli: “Galleria Vezzoli” at MAXXI, through November 24th 2013

Monday, November 25th, 2013

Paris: Francesco Vezzoli ‘The 24 Hour Museum’ at Palais d’Iéna January 24-25, 2012

Tuesday, January 24th, 2012

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

AO On Site – Stockholm: Dali Dali featuring Francesco Vezzoli at the Moderna Museet through January 17th 2010

Monday, January 11th, 2010

Go See – Paris: Francesco Vezzoli’s ‘Right You Are (If You Think You Are)’ at the Jeu de Paume through January 17th 2010

Wednesday, December 9th, 2009

Go See: GREED, A New Fragrance by Francesco Vezzoli at Gagosian Gallery in Rome through March 21, 2009

Thursday, February 19th, 2009

MoMA’s “Church of Vezzoli” Exhibition Canceled Due to Italian Legal Troubles

Tuesday, November 26th, 2013

AO On-Site – Mexico City: Zona Maco Art Fair, February 8th – 12th, 2017

Friday, February 10th, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

Performa Opens in New York

Tuesday, November 3rd, 2015

Artists Design Their Own Ads in New York Times

Monday, October 20th, 2014

New York – Rene Ricard: “Remember” at Half Gallery Through September 8th, 2014

Friday, September 5th, 2014

Performa Founder RoseLee Goldberg Recaps Her Favorite Festival Moments

Friday, June 13th, 2014

Paris – “Decorum: Carpets and Tapestries by Artists” at Musée d’Art Moderne, through February 9th 2014

Monday, February 3rd, 2014

AO On Site – Paris: FIAC Week Wrapup and Final Photoset, October 18th – 21st, 2012

Sunday, October 21st, 2012

AO On Site – Paris: FIAC Vernissage Photoset, Wednesday, October 17th, 2012

Thursday, October 18th, 2012

Paris – FIAC 39th International Contemporary Art Fair Week Preview: October 18th-21st, 2012

Wednesday, October 17th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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