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Francis Alÿs to Show in Iraqi Pavilion for Next Year’s Venice Biennale

Tuesday, December 6th, 2016

London – Francis Alÿs: “Ciudad Juárez Projects” at David Zwirner Through August 5th, 2016

Tuesday, August 2nd, 2016

AO On Site: New York – Francis Alÿs “Reel-Unreel”At David Zwirner Gallery, Through February 9,2013

Monday, January 14th, 2013

AO on site – Art 42 Basel 2011: Francis Alÿs ‘Fabiola’ VIP reception

Sunday, June 19th, 2011

Go See – New York: Francis Alÿs, ‘A Story of Deception’ at the Museum of Modern Art and MoMA PS1 through August 1st, 2011

Sunday, June 12th, 2011

Don’t Miss – New York: “Locations” featuring works by Sol Lewitt, Carl Andre, Francis Alÿs, John Baldessari, Catherine Opie, Dan Graham and others at Paula Cooper Gallery through June 11, 2011

Tuesday, June 7th, 2011

Go See – London: Francis Alÿs at the Tate Modern until September 5th

Friday, July 9th, 2010

AO On-Site – Basel: Art Basel Art Fair, June 14th – 17th, 2018

Wednesday, June 13th, 2018

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

AO Recap – Mexico City: Visual Arts Week, February 4th – 8th, 2015

Monday, February 9th, 2015

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

Manifesta 10 Announces Artist List

Wednesday, March 26th, 2014

AO Recap – New York: The Armory Show at Piers 92 and 94, March 6th-9th, 2014

Wednesday, March 12th, 2014

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 24th to the 27th, 2013

Wednesday, October 23rd, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

AO On Site Photoset With Video – New York: MoMA PS1 Summer ‘Warm Up’ Finale, Saturday, September 10, 2011

Sunday, September 11th, 2011

Don’t Miss – New York: David Zwirner “The House Without the Door” through August 5th, 2011

Thursday, August 4th, 2011

Living Artists

Thursday, July 7th, 2011

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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