Search Results

RIP – François Morellet, Pioneer of Optical and Kinetic Art, at the Age of 90

Thursday, May 12th, 2016

AO On Site – New York: François Morellet & Gerhard von Graevenitz “Moving Spirits” at Sperone Westwater through July 27, 2012

Sunday, July 8th, 2012

AO Fair Preview – London: Frieze London Art Week, October 4th – 7th, 2018

Tuesday, October 2nd, 2018

Art Newspaper Notes Popularity for Older French Artists in Both Market and Institution

Tuesday, May 3rd, 2016

Anri Sala Named Leading French Artist by Annual Report

Tuesday, April 21st, 2015

Go See – Paris: Cy Twombly’s permanent installation ‘The Ceiling’ at Musée du Louvre

Friday, April 23rd, 2010

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
Read More »

FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
Read More »

Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
Read More »

REFERENCE LIBRARY