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Francois Pinault Signs Lease for Museum in Bourse de Commerce

Wednesday, April 27th, 2016

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Francois Pinault Foundation’s “The World Belongs to You” at Palazzo Grassi, through December 31, 2011

Wednesday, June 1st, 2011

Francois-Henri Pinault

Tuesday, December 25th, 2007

François Pinault to Convert Paris’s Bourse de Commerce Into Massive Art Museum

Tuesday, June 27th, 2017

François Pinault Moves Completion Date for Museum Up to 2018

Friday, August 5th, 2016

François Pinault Looking for Museum Site in Paris

Friday, June 26th, 2015

Pinault to Exhibit Private Collection During FIAC

Thursday, July 25th, 2013

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Venice – Damien Hirst: Treasures from the Wreck of the Unbelievable at the Palazzo Grassi and Punta Della Dogana Through December 3rd, 2017

Tuesday, June 6th, 2017

AO On-Site – Venice: Rudolf Stingel at Palazzo Grassi Through December 31st, 2013

Thursday, June 6th, 2013

Haunch of Venison to Close New York and London Galleries

Saturday, February 2nd, 2013

AO On Site – Paris: FIAC Vernissage Photoset, Wednesday, October 17th, 2012

Thursday, October 18th, 2012

AO Newslink

Thursday, June 28th, 2012

Doha, Qatar: Takashi Murakami at the Museum of Islamic Art through June 24, 2012

Thursday, March 1st, 2012

Breaking: Qatar purchase of $250-$300 million ‘Card Players’ by Paul Cézanne is most expensive art sale in history

Thursday, February 2nd, 2012

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO Auction Results – London: Christie’s Post-War and Contemporary Sale Thursday February 11, 2009 – Another highly successful sale confirms Art Market Recovery

Friday, February 12th, 2010

Newslinks for Tuesday October 20th, 2009

Tuesday, October 20th, 2009

2009 Venice Biennale – Art Observed summary of press preview weekend

Tuesday, June 9th, 2009

Christie’s to cut workforce in effort to reduce costs in soft art market

Tuesday, January 13th, 2009

AO November Auction Roundup 1 of 5: Christie’s Impressionist and Modern Art, New York, Thursday November 6th: “Obviously, prices have changed”

Sunday, November 16th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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