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Frank Stella Discusses His Favorite Cities in NYT Interview

Monday, November 6th, 2017

New York-Frank Stella at Marianne Boesky Gallery through June 17, 2017

Friday, June 16th, 2017

Frank Stella Profiled in The Economist

Friday, November 6th, 2015

New York – Frank Stella at The Whitney Museum Through February 7th, 2016

Thursday, November 5th, 2015

New York – Frank Stella: “Shape as Form” at Paul Kasmin Gallery Through October 10th, 2015

Wednesday, September 30th, 2015

Frank Stella Profiled in NY Times

Wednesday, September 9th, 2015

MOCA Loans Iconic Frank Stella to Commercial Gallery, Drawing Criticism

Saturday, June 14th, 2014

Frank Stella Now Co-Represented by Marianne Boesky and Dominique Lévy

Friday, March 21st, 2014

New York – Frank Stella: “Recent Work” at Peter Freeman Inc. Through February 22nd, 2014

Sunday, February 2nd, 2014

New York – Frank Stella: New Work at Freedman Art Through September 27, 2012

Friday, August 3rd, 2012

New York: Frank Stella ‘Black Aluminum Copper’ at L&M Arts through June 2, 2012

Monday, April 30th, 2012

Don’t Miss – London: Frank Stella ‘Connections’ at Haunch of Venison through November 19, 2011

Tuesday, November 15th, 2011

Don't Miss – New York: Frank Stella Geometric Variations at Paul Kasmin Gallery through October 29, 2011

Friday, October 28th, 2011

Go See – New York: Frank Stella's 'Exotic Birds' at L&M Arts through January 30th 2010

Wednesday, January 20th, 2010

Frank Stella

Tuesday, March 4th, 2008

Frank Stella @ the Met – Through October 28th

Monday, September 10th, 2007

LACMA Documents Transport and Install of Stella Work to Whitney Retrospective

Saturday, January 9th, 2016

Go See – Frankfurt: Félix González-Torres, “Specific Objects without Specific Form” at MMK until April 25th, 2011

Friday, April 15th, 2011

New York – Elizabeth Murray: “Painting in the ’80s” at Pace Gallery Through

Wednesday, January 10th, 2018

AO Preview – Miami Art Week in Miami Beach, December 5th – 10th, 2017

Monday, December 4th, 2017

New York – Elizabeth Orr: “Our Hallway Is Surrounded” at Bodega Through October 15th, 2017

Sunday, October 15th, 2017

$12 Million in Art Stolen from Queens Storage Facility

Tuesday, June 20th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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