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The Frick Collection Acquires First Work in 30 Years

Wednesday, December 13th, 2017

Frick Collection Moves Pay-What-You-Wish Hours to Wednesdays

Tuesday, June 6th, 2017

Frick Collection Taps Selldorf Architects for Renovation

Friday, October 21st, 2016

Frick Collection Reconsiders Renovation Plans

Saturday, March 26th, 2016

Frick Collection Announces Expansion Plan

Thursday, June 12th, 2014

Works from Frick Collection to Leave US for First Time

Monday, February 17th, 2014

New York – Vermeer, Rembrandt, and Hals: “Masterpieces of Dutch Painting from the Mauritshuis” at The Frick Collection Through January 19th, 2014

Wednesday, December 18th, 2013

New York – “The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark” at The Frick Collection, Through June 16th 2013

Tuesday, June 11th, 2013

Frick Expansion Vote Delayed

Sunday, June 3rd, 2018

Frick Announces New Expansion Plans

Thursday, April 5th, 2018

Betty Eveillard Takes Chair on Frick Board

Monday, January 30th, 2017

Rare Rembrandt Work to Show at Frick Next Year

Wednesday, August 31st, 2016

U.S. General Services Art Collection Digitized

Friday, October 16th, 2015

Frick Expansion Challenged Over Potential Destruction of Landmark Garden

Wednesday, November 12th, 2014

Frick’s Proposed Expansion a Point of Contention

Thursday, July 31st, 2014

AO Summary: What’s the significance of that one painting at the Frick?

Wednesday, February 6th, 2008

Colin Bailey Named Director of Morgan Library

Friday, April 17th, 2015

New Guide Details NYC’s “Other Museums”

Monday, July 28th, 2014

AO On Site – New York: Nir Hod “Genius” opening at Paul Kasmin Gallery; with an interview with the artist

Saturday, June 18th, 2011

AO News Summary: Google Art Project Launch Takes Museums Virtual

Wednesday, February 2nd, 2011

Noted New York Art Dealer, Lawrence B. Salander, Arrested for Stealing $88 million

Friday, March 27th, 2009

J. Tomilson Hill to Open Museum in Chelsea

Saturday, July 30th, 2016

New York – Henri Labrouste: “Structure Brought to Light” at MoMA, Through June 24th, 2013

Wednesday, June 12th, 2013

Newslinks for Friday September 12, 2008

Friday, September 12th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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