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New York – Gedi Sibony: “I Was Like Wait” at Greene Naftali Through March 18th, 2023

Thursday, March 9th, 2023

New York — “Painting: Now and Forever, Part III” at Matthew Marks Gallery and Greene Naftali Through August 17, 2018

Monday, July 30th, 2018

New York – “Call and Response” at Gavin Brown’s Enterprise Through February 28th, 2015

Monday, February 23rd, 2015

AO On-Site: Frieze London at Regent’s Park, October 15th-18th, 2014

Thursday, October 16th, 2014

New York – “Neu at Gladstone” at Gladstone Gallery Through August 1st, 2014

Friday, August 1st, 2014

New York – Group Show: “The Husk” at Untitled Through August 2nd, 2014

Tuesday, July 29th, 2014

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011

Go See – London: Abstract America: New Painting and Sculpture at the Saatchi Gallery through September 13th 2009

Friday, June 5th, 2009

New Museum Debuts on the Bowery

Monday, December 3rd, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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