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Geoffrey Farmer to Show in Canadian Pavilion This Summer in Venice

Wednesday, February 22nd, 2017

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

AO On-Site – Mexico City: Material Art Fair at Expo Reforma, February 9th – 12th, 2017

Monday, February 13th, 2017

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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