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Getty Museum Launches New Fundraising Drive

Friday, February 9th, 2018

Getty Museum Survives Brutal California Wildfires

Wednesday, December 13th, 2017

Getty Museum Acquires Major Collection of Drawings

Friday, July 21st, 2017

Getty Museum Releases Over 4,000 Images for Free Public Use

Wednesday, August 14th, 2013

Getty Museum Announces Follow Up to Pacific Standard Time

Wednesday, February 27th, 2013

AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012

Go See – Los Angeles: Picasso, de Chirico, Léger, and Picabia ‘Modern Antiquity’ at the J. Paul Getty Museum through January 16, 2012

Monday, December 19th, 2011

Getty Announces Traveling Series of Pacific Standard Time Shows

Wednesday, January 24th, 2018

Massive Wildfires Prompt Shutdown of Getty Center

Wednesday, December 6th, 2017

Harold Williams, Founding President of J. Paul Getty Trust, Passes Away at Age of 89

Wednesday, August 2nd, 2017

Thomas Campbell Awarded Getty Rothschild Research Fellowship

Thursday, July 27th, 2017

Dealers Suing Getty for $77 Million Over Sale of Roman Sculpture That Never Happened

Tuesday, January 17th, 2017

Getty and NICAS Partner for Development Program for Conservation Technology

Tuesday, March 22nd, 2016

Rare Bernini Sculpture Acquired by Getty

Friday, June 19th, 2015

Frankfurt – Albrecht Dürer: “Dürer: His Art in Context” at the Städel Museum, through February 2nd 2014

Friday, January 31st, 2014

Getty Buys Manet’s “Madame Brunet”

Saturday, May 25th, 2013

Bowie Exhibit is Fastest Selling Event for Victoria and Albert Museum Ever

Tuesday, March 19th, 2013

AO On Site – Los Angeles: James Franco at the Museum of Contemporary Art through June 23, 2012

Monday, June 11th, 2012

AO On Site- Los Angeles: Edward Keinholz’s “Five Car Stud 1969-1972, Revisited” at Los Angeles County Museum of Art, through January 15, 2011

Thursday, September 8th, 2011

AO Breaking News: James Cuno resigns as director of the Art Institute of Chicago to lead the J. Paul Getty Trust

Monday, May 9th, 2011

Parmigianino’s “Virgin and Child” Goes to Los Angeles After UK Export Bar Lifted

Wednesday, June 14th, 2017

New York – Miles Coolidge: “Coal Seam Redux” at Peter Blum Through February 4th, 2017

Friday, February 3rd, 2017

LA Robert Mapplethorpe Exhibitions in NYT

Thursday, March 31st, 2016

Art Newspaper Documents Challenges of Sexually-Charged Mapplethorpe Works in LA Exhibitions

Tuesday, March 15th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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