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Getty Museum Acquires Major Collection of Drawings

Friday, July 21st, 2017

Getty Museum Releases Over 4,000 Images for Free Public Use

Wednesday, August 14th, 2013

Getty Museum Announces Follow Up to Pacific Standard Time

Wednesday, February 27th, 2013

AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012

Go See – Los Angeles: Picasso, de Chirico, Léger, and Picabia ‘Modern Antiquity’ at the J. Paul Getty Museum through January 16, 2012

Monday, December 19th, 2011

Harold Williams, Founding President of J. Paul Getty Trust, Passes Away at Age of 89

Wednesday, August 2nd, 2017

Thomas Campbell Awarded Getty Rothschild Research Fellowship

Thursday, July 27th, 2017

Dealers Suing Getty for $77 Million Over Sale of Roman Sculpture That Never Happened

Tuesday, January 17th, 2017

Getty and NICAS Partner for Development Program for Conservation Technology

Tuesday, March 22nd, 2016

Rare Bernini Sculpture Acquired by Getty

Friday, June 19th, 2015

Frankfurt – Albrecht Dürer: “Dürer: His Art in Context” at the Städel Museum, through February 2nd 2014

Friday, January 31st, 2014

Getty Buys Manet’s “Madame Brunet”

Saturday, May 25th, 2013

Bowie Exhibit is Fastest Selling Event for Victoria and Albert Museum Ever

Tuesday, March 19th, 2013

AO On Site – Los Angeles: James Franco at the Museum of Contemporary Art through June 23, 2012

Monday, June 11th, 2012

AO On Site- Los Angeles: Edward Keinholz’s “Five Car Stud 1969-1972, Revisited” at Los Angeles County Museum of Art, through January 15, 2011

Thursday, September 8th, 2011

AO Breaking News: James Cuno resigns as director of the Art Institute of Chicago to lead the J. Paul Getty Trust

Monday, May 9th, 2011

Parmigianino’s “Virgin and Child” Goes to Los Angeles After UK Export Bar Lifted

Wednesday, June 14th, 2017

New York – Miles Coolidge: “Coal Seam Redux” at Peter Blum Through February 4th, 2017

Friday, February 3rd, 2017

LA Robert Mapplethorpe Exhibitions in NYT

Thursday, March 31st, 2016

Art Newspaper Documents Challenges of Sexually-Charged Mapplethorpe Works in LA Exhibitions

Tuesday, March 15th, 2016

New York Times Examines History and Fate of Repatriated Artworks

Tuesday, April 22nd, 2014

The Difficult Issues of Repatriation

Thursday, July 4th, 2013

MOCA May Cancel Pacific Standard Time Show

Saturday, May 4th, 2013

New York – Jim Dine at Pace Gallery Through March 23rd, 2013

Friday, March 22nd, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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