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AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

New York – “Italian Futurism: 1909-1944: Reconstructing the Universe” at The Guggenheim Through September 1st, 2014

Monday, March 10th, 2014

Sotheby’s Announces Fourth Quarter Dividend for 2013

Tuesday, November 12th, 2013

AO – Auction Results: Sotheby’s Impressionist & Modern Art Evening Sale, November 6, 2013

Thursday, November 7th, 2013

AO – Auction Preview: Impressionist and Modern Art Evening Sales at Christie’s and Sotheby’s, November 5th & 6th, 2013

Tuesday, November 5th, 2013

Guggenheim Readies for Italian Futurist Exhibition

Monday, September 16th, 2013

Go See – London: ‘Futurism’ at Tate Modern through September 20th 2009

Saturday, June 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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