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AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

AO On-Site: Art Basel 2014, June 19th-22nd, 2014

Wednesday, June 18th, 2014

Piper Marshall Leaves Post as Swiss Institute Curator

Sunday, February 9th, 2014

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO Preview – Berlin Gallery Weekend Begins

Friday, April 29th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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