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Go See – Los Angeles: Picasso, de Chirico, Léger, and Picabia ‘Modern Antiquity’ at the J. Paul Getty Museum through January 16, 2012

Monday, December 19th, 2011

Giorgio de Chirico

Thursday, November 27th, 2008

Go See: Giorgio Morandi, 1890-1964 Retrospective at the Metropolitan Museum of Art through December 14

Wednesday, October 1st, 2008

AO On-Site – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Monday, June 19th, 2017

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Evening Sale, May 16th, 2017

Wednesday, May 17th, 2017

London- “In Homage” at Skarstedt Gallery Through August 8th, 2014

Wednesday, July 30th, 2014

Julian Schnabel Interviewed in Wall Street Journal

Tuesday, November 12th, 2013

AO Auction Recap – New York: Phillips 20th Century and Contemporary Evening Sale, November 8th, 2015

Monday, November 9th, 2015

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Art Evening Sale, November 4th, 2014

Wednesday, November 5th, 2014

Leipzig – Neo Rauch: “Genspenster” at Galerie EIGEN+ART, through December 7th 2013

Wednesday, October 16th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO Interview: John Miller on 'Suburban Past Times' at Metro Pictures through March 9, 2012

Thursday, March 8th, 2012

Deceased Artists

Thursday, July 7th, 2011

AO Auction Results – London: Sotheby’s Impressionist & Modern Evening Sale Realizes $157M for 32 Lots Sold; Record Set with $40M Schiele

Wednesday, June 22nd, 2011

AO Onsite Auction Results – New York: Christie’s Impressionist & Modern Evening Sale Realizes $156M on May 4, 2011; Monet & Vlaminck are Top Lots

Wednesday, May 4th, 2011

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010

Don’t Miss – London: “Crash, Homage to J.G Ballard” at the Gagosian London through April 1, 2010

Saturday, March 27th, 2010

Newslinks for Thursday, March 12, 2009

Thursday, March 12th, 2009

Spectacular Yves Saint Laurent auction raises record breaking $264 million, sets records for Mondrian, Matisse

Tuesday, February 24th, 2009

AO Auction Results: Christie’s “The Modern Age,” the Alice Lawrence and Hillman family collections sell for less than 50% of estimate as Rothko and Manet headliners are pulled

Saturday, November 8th, 2008

Neo Rauch

Tuesday, February 12th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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