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Paris – Gordon Matta-Clark at Marian Goodman Gallery Through January 19th, 2017

Monday, January 9th, 2017

New York – Gordon Matta-Clark: “Energy & Abstraction” at David Zwirner Through October 24th, 2015

Sunday, October 18th, 2015

Go See – Berlin: Gordon Matta-Clark at Galerie Thomas Schulte through July 31, 2010

Sunday, July 18th, 2010

Go See – Santiago, Chile: Gordon Matta-Clark at Museo Nacional de Bellas Artes through January 24, 2009

Saturday, December 19th, 2009

Go See – New York: "Photoconceptualism 1966-1973" featuring works by Bruce Nauman, Dan Graham, Robert Smithson, Mel Bochner, Gordon Matta-Clark, Edward Ruscha Whitney Museum of American Art, through September 20, 2009

Wednesday, August 26th, 2009

Gordon Matta-Clark

Tuesday, June 24th, 2008

Whitney Unveils David Hammons Work for Piers

Friday, October 6th, 2017

Münster – Skulptur Project Münster, Through October 1st, 2017

Thursday, September 28th, 2017

New York – “FORTY” at MoMA PS1 Through August 28th, 2016

Friday, August 26th, 2016

Vienna’s Generali Foundation to Close

Sunday, June 29th, 2014

Ed Ruscha Shows WSJ His “Favorite Things”

Friday, May 30th, 2014

Paris – Jean Dupuy: “The Collective Years (1973-1983)” at Galerie Louevenbruck Paris Through June 15th, 2013

Friday, June 14th, 2013

AO Newslink

Sunday, October 7th, 2012

New York: Group Show Curated by Tom Burr – “Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern” at Bortolami Gallery Through October 27th, 2012

Tuesday, September 25th, 2012

New York: Roberto Matta ‘Matta: a Centennial Celebration’ at Pace Gallery through January 28, 2012

Tuesday, January 17th, 2012

Friday, November 25th, 2011

Deceased Artists

Thursday, July 7th, 2011

AO Onsite (with photoset) – White Column’s 2011 Benefit Auction, Saturday, May 14th 2011

Monday, May 16th, 2011

AO On Site – Berlin: James Franco ‘The Dangerous Book Four Boys’ at Peres Projects, Saturday, February 12th runs through April 23rd, 2011

Monday, February 14th, 2011

AO Auction Preview – New York: White Columns Benefit Exhibition and Auction this Saturday, May 15th at White Columns

Thursday, May 13th, 2010

Don’t Miss – Düsseldorf: ‘Eating the Universe. Food in Art’ at Kunsthalle Düsseldorf through February 28, 2010

Thursday, February 18th, 2010

Go See: Artist’s Choice: Vik Muniz’s ‘Rebus’ at the Museum of Modern Art, New York Through February 23, 2009

Tuesday, December 30th, 2008

Museum of Contemporary Art Los Angeles

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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