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Guggenheim Abu Dhabi Sees More Curators Depart as Construction Inches Towards Completion

Friday, November 11th, 2016

Guggenheim Abu Dhabi To Open Preview Show this November

Saturday, June 14th, 2014

Former Guggenheim Member Speaks Out Against Expanding Guggenheim Project in Abu Dhabi

Thursday, March 30th, 2017

New Yorker Profiles Ongoing Struggles Over Abu Dhabi Museum Expansions

Tuesday, December 13th, 2016

Guggenheim Ceases Negotiations with GLC

Monday, April 18th, 2016

New Report Finds Little Improvement in Abu Dhabi Museum Construction Projects

Monday, August 3rd, 2015

Guggenheim Closed Early Last Friday After Protests

Tuesday, May 5th, 2015

Sara Raza Appointed Guggenheim Curator for Middle East and North Africa

Sunday, January 25th, 2015

Former Guggenheim Directer Thomas Messer Passes Away at 93

Thursday, May 16th, 2013

AO News Summary: Guggenheim Foundation To Study Helsinki For Possible New Site

Tuesday, January 18th, 2011

AO Onsite: Art Abu Dhabi at the Emirates Palace Generates Significant Sales

Tuesday, December 1st, 2009

Richard Armstrong named new Director of the Guggenheim Foundation

Wednesday, September 24th, 2008

Guggenheim Hermitage in Las Vegas will close next month

Friday, April 25th, 2008

Jerry Saltz says the Guggenheim should “Dump Thomas Krens”

Tuesday, September 25th, 2007

London – Subodh Gupta: “What does the vessel contain, that the river does not” at Hauser & Wirth Through to July 27th, 2013

Friday, July 26th, 2013

AO Newslink

Monday, November 12th, 2012

Monday, October 24th, 2011

Richard Armstrong Talks Expansion and Construction

Thursday, June 18th, 2015

The Increasingly Intertwined Worlds of Art and Real Estate

Monday, April 1st, 2013

AO Newslink

Friday, November 2nd, 2012

Breaking: Qatar purchase of $250-$300 million ‘Card Players’ by Paul Cézanne is most expensive art sale in history

Thursday, February 2nd, 2012

Wednesday, January 25th, 2012

Don’t Miss – London: Mona Hatoum’s “Bunker” at White Cube Through April 2, 2011

Thursday, March 31st, 2011

Newslinks for Wednesday, October 14th, 2009

Wednesday, October 14th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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