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Philadelphia – Allora & Calzadilla: “Intervals” at Philadelphia Museum of Art, through April 5th 2015

Thursday, February 26th, 2015

Go See – London: Allora & Calzadilla ‘Vieques Videos 2003 – 2010′ at Lisson Gallery through January 14, 2011

Thursday, December 8th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Allora & Calzadilla’s “Gloria” at the U.S. Pavilion

Thursday, June 2nd, 2011

Go See – New York: Allora and Calzadilla’s ‘Stop, Repair, Prepare’ at MoMA Through January 10, 2011

Thursday, December 30th, 2010

Miami — The Bass Museum Re-opens After $12 Million Renovation with Exhibitions by Ugo Rondinone and Pascale Marthine Tayou

Wednesday, November 1st, 2017

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Picasso Painting Reveals New Layers After X-Ray Analysis

February 21st, 2018

Picasso, via NYTThe New York Times profiles recent work in art research and conservation using X-Rays, citing the discovery of an underlying painting in a Picasso Blue Period piece. “It was clear there was something else going on underneath,” researcher Sandra Webster-Cook said.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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