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Hans Haacke Prepares to Install Sculpture on London’s Fourth Plinth

Tuesday, March 3rd, 2015

Hans Haacke Profiled in New York Times

Monday, October 27th, 2014

David Shrigley and Hans Haacke Selected For London’s Fourth Plinth

Saturday, February 8th, 2014

New Yorker Profiles Ongoing Struggles Over Abu Dhabi Museum Expansions

Tuesday, December 13th, 2016

Artforum Interviews Artists on Political Art

Wednesday, November 2nd, 2016

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

London Releases Shortlist for New Fourth Plinth Installation

Tuesday, September 24th, 2013

Paris – “Carte Blanche to Paula Cooper” at Galerie Patrick Seguin Through November 24th, 2012

Saturday, November 17th, 2012

Berlin: Robert Longo ‘Stand’ at Capitain Petzel Berlin through June 16, 2012

Wednesday, May 23rd, 2012

Don’t Miss – New York: “Locations” featuring works by Sol Lewitt, Carl Andre, Francis Alÿs, John Baldessari, Catherine Opie, Dan Graham and others at Paula Cooper Gallery through June 11, 2011

Tuesday, June 7th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Christoph Schlingensief’s German Pavilion

Friday, June 3rd, 2011

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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