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New York – Geta Bratescu: “The Leaps of Aesop” at Hauser and Wirth Through December 23rd, 2017

Monday, December 4th, 2017

Hauser and Wirth to Represent Estate of Arshile Gorky

Monday, October 3rd, 2016

New York – Rashid Johnson: “Fly Away” at Hauser and Wirth Through October 22nd, 2016

Sunday, September 18th, 2016

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

Hauser and Wirth to Set Up Shop at Former Dia Chelsea Building

Monday, June 13th, 2016

New York – Philip Guston: Painter, 1957 – 1967 at Hauser and Wirth Through July 29th, 2016

Monday, May 23rd, 2016

New York – Fausto Melotti at Hauser and Wirth Through June 18th, 2016

Saturday, May 7th, 2016

London – Mark Wallinger: “ID” at Hauser and Wirth Through May 7th, 2016

Wednesday, April 27th, 2016

Zurich – Tetsumi Kudo at Hauser and Wirth Through February 26th, 2016

Monday, January 11th, 2016

London – Fabio Mauri: “Oscuramento. The Wars of Fabio Mauri” at Hauser and Wirth Through February 6th, 2016

Sunday, December 27th, 2015

Hauser and Wirth Representing David Smith Estate

Saturday, November 28th, 2015

Philip Guston Estate Represented by Hauser and Wirth

Friday, September 25th, 2015

New York – Mike Kelley at Hauser and Wirth Through October 24th, 2015

Saturday, September 19th, 2015

London – Roni Horn: “Butterfly Doubt” at Hauser and Wirth Saville Row Through July 25th, 2015

Tuesday, July 7th, 2015

Zürich – Rita Ackermann: “Chalkboard Paintings” at Hauser and Wirth Through March 14th 2015

Sunday, March 8th, 2015

New York – Subodh Gupta: “Seven Billion Light Years” at Hauser and Wirth Through April 25th, 2015

Tuesday, February 24th, 2015

Hauser and Wirth Building Major New Space in Chelsea

Friday, February 20th, 2015

Hauser and Wirth to Represent Mike Kelley Foundation

Friday, January 30th, 2015

New York – “Freezer Burn” Organized by Rita Ackermann at Hauser and Wirth Through December 20th, 2014

Tuesday, December 16th, 2014

New York – Thomas Houseago: “Moun Room” at Hauser and Wirth Through January 17th, 2015

Thursday, November 20th, 2014

New York – “Rite of Passage: Vienna Actionism” at Hauser and Wirth Through October 25th, 2014

Wednesday, October 15th, 2014

New York – Monika Sosnowska: “Tower” at Hauser and Wirth Through October 25th, 2014

Tuesday, September 23rd, 2014

Hauser and Wirth Somerset Bodes Well for Somerset Town

Monday, August 25th, 2014

Hauser and Wirth Open Somerset Gallery This Week

Friday, July 18th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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