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Helen Marten Wins the 2016 Turner Prize

Tuesday, December 6th, 2016

Helen Marten Profiled in The Guardian

Wednesday, November 23rd, 2016

Hepworth Prize Winner Helen Marten to Share £30,000 Award with Fellow Nominees

Friday, November 18th, 2016

New York — “Painting: Now and Forever, Part III” at Matthew Marks Gallery and Greene Naftali Through August 17, 2018

Monday, July 30th, 2018

The Guardian Notes Progress in Gender Parity in Turner Prize Awards

Friday, December 9th, 2016

London – The Turner Prize Exhibition at Tate Britain Through January 2nd, 2017

Sunday, October 30th, 2016

2016 Turner Prize Shortlist Announced

Friday, May 13th, 2016

Phyllida Barlow Shortlisted for Hepworth Prize

Tuesday, March 22nd, 2016

AO Preview – Venice: The 55th Venice Biennale, June 1st-November 24th, 2013

Tuesday, May 28th, 2013

Venice Biennale to Highlight a New Group of Young British Artists

Tuesday, March 19th, 2013

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

The Guardian Examines Critiques of Contemporary Art in Post-Brexit UK

Thursday, December 29th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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Barbara Kruger to Reprise MOCA LA Installation

October 19th, 2018

Barbara Kruger at MOCA, via LA TimesBarbara Kruger will reprise her iconic installation Untitled (Questions) on the facade of LA’s Geffen Contemporary, the LA Times reports. “People in this city didn’t realize what a gem this building was,” Kruger says of the space. “It was able to shape-shift and be altered in brute, really material ways. It wasn’t a precious over-designed museum.”
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