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Helen Molesworth to Give Commencement Address at UCLA Art School

Tuesday, April 10th, 2018

Art News Explores Controversy Over Helen Molesworth Firing

Thursday, March 22nd, 2018

Helen Molesworth Appointed New Chief Curator at MOCA

Friday, May 30th, 2014

New York – Ruth Asawa: “All is Possible” at David Zwirner Through December 18th, 2021

Tuesday, November 9th, 2021

Art News Details Conditions Behind Shake-Up at MOCA LA

Tuesday, March 20th, 2018

Go See – New York: Eva Hesse “Spectres 1960″ at Brooklyn Museum through January 8, 2012

Monday, October 31st, 2011

Go See: Luc Tuymans at the Wexner Center in Colombus, Ohio through January 3rd, 2009

Saturday, October 17th, 2009

MOCA Terminates Chief Curator

Thursday, March 15th, 2018

Atlantic Examines Current Institutional Focus on Women Artists

Thursday, December 22nd, 2016

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Go See – San Francisco: Luc Tuymans Retrospective at SFMOMA through May 2, 2010

Sunday, March 21st, 2010

Go See – New York: Allan Kaprow Yard at Hauser & Wirth through October 31, 2009

Sunday, September 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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