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New York – Henri Matisse: “The Cut-Outs” at MoMA Through February 10th, 2015

Wednesday, January 21st, 2015

London – Henri Matisse: “The Cut-Outs” at The Tate Modern Through September 7th, 2014

Monday, August 18th, 2014

Gurlitt’s Henri Matisse Determined to be Nazi Loot

Saturday, June 14th, 2014

Go See – Madrid: Henri Matisse at Museo Thyssen-Bornemisza Through September 20, 2009

Friday, July 3rd, 2009

Henri Matisse

Friday, March 7th, 2008

New York Court Rejects Family Claim to Matisse Work

Wednesday, September 12th, 2018

Matisse Family Wins Court Battle

Wednesday, October 25th, 2017

Lawsuit Over Matisse Cut-Outs Filed in Paris

Monday, October 2nd, 2017

London’s National Gallery Contesting Claims Over Matisse Work as Nazi-Loot

Friday, October 28th, 2016

Greta Moll’s Descendants Sue Over Matisse Portrait

Wednesday, September 14th, 2016

Arrest Made in Matisse Trailer Theft

Friday, July 1st, 2016

National Gallery Threatened Over Ownership of Matisse Painting

Tuesday, November 24th, 2015

MoMA To Keep Matisse ‘Swimming Pool’ on Permanent View

Monday, February 16th, 2015

MoMA to Stay Open All Weekend for Last Run of Matisse Cut-Outs Show

Saturday, February 7th, 2015

Tate Modern Announces Matisse Cut-Outs Show as Most Attended in Museum History

Wednesday, September 17th, 2014

A Matisse Returns to Venezuela Ten Years After Theft

Tuesday, July 8th, 2014

Tate Modern Announces Show of Matisse’s Final Works

Saturday, April 20th, 2013

Jewish Family Seeks Return of Matisse Seized by Nazis

Saturday, April 6th, 2013

New York – “Matisse: In Search of True Painting” at The Metropolitan Museum of Art, through March 17th, 2013

Sunday, March 17th, 2013

Stolen Matisse Painting Recovered in Essex, England

Monday, January 7th, 2013

AO Onsite Auction Results: Christie’s Impressionist & Modern Evening Sale in New York Brings in $231.4M; Sets Records for Matisse & Gris (UPDATED WITH VIDEO)

Thursday, November 4th, 2010

GO SEE – New York: ‘Matisse: Radical Invention, 1913-1917′ at the Museum of Modern Art through October 11, 2010

Monday, August 2nd, 2010

Spectacular Yves Saint Laurent auction raises record breaking $264 million, sets records for Mondrian, Matisse

Tuesday, February 24th, 2009

Atlanta’s High Museum Receives Major Gift of Impressionist Works

Wednesday, August 28th, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

CNN Looks at Business and Legality of Removing and Selling Street Art Pieces

January 21st, 2020

CNN has a piece this week on the business behind removing and selling street art murals, and the legality that drives who can remove and sell a piece. “Generally, when you purchase a building, you own the fixtures within the building, whether they’re ceiling fans or [a] fine art mural painting on a wall,” says Paul Cossu, a partner at legal firm Pryor Cashman and part of the firm’s art law group. “Of course, what an owner can do with a fine art mural after acquiring the building will depend, in part, on whether the mural is protected by the Visual Artists Rights Act.”
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Art Thieves Confess to Stealing Gustav Klimt Work and Returning It

January 21st, 2020

Two men have confessed to stealing the Gustav Klimt recently discovered in the wall of a Piacenza gallery, as well as to returning the work. “They said they returned the painting four years ago,” says Guido Gulieri, the pair’s lawyer. “But we don’t yet know the details of how it came to be [in the recess] and what exactly happened to the painting in the intervening years. They had confessed before but were not believed.”
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Desert X AlUla Annnounces Artist List

January 21st, 2020

The inaugural edition of Desert X AlUla in Saudi Arabia has announced its artist list, including work by Lita Albuquerque, Wael Shawky, Superflex, and more. This edition of the event has earned strong condemnation for its part in the country’s push to rebrand itself as open and free after the murder of journalist Jamal Khashoggi.  “Unless artists are willing to make their host’s state control of expression an explicit subject of their work, those who participate cannot escape compromise from the polluted context,” says critic Christopher Knight.
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