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Hermann Nitsch Profiled in The Guardian

Monday, June 19th, 2017

Hermann Nitsch Performance Set to Go Forward in Tasmania

Sunday, April 30th, 2017

Hermann Nitsch Performance Sees Protests Over Slaughter of Bull

Thursday, April 20th, 2017

Hermann Nitsch Retrospective Finds New Home in Palermo

Friday, May 29th, 2015

Hermann Nitsch Show Canceled in Mexico City

Thursday, February 26th, 2015

Museo Jumex Appoints New Director, Chief Curator After Controversial Show Cancellation

Thursday, April 2nd, 2015

New York – “Rite of Passage: Vienna Actionism” at Hauser and Wirth Through October 25th, 2014

Wednesday, October 15th, 2014

AO On Site – The Watermill Center, The Big Bang, 19th Annual Summer Benefit, Saturday July 28, 2012

Thursday, August 2nd, 2012

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Marc Quinn’s NYPL Blood Sculpture Profiled in Forbes

June 20th, 2019

Marc Quinn’s upcoming installation for the NYPL is profiled in Forbes this week, as the artist collects blood from 10,000 people to create two sculptures, one with the blood of refugees and one with the blood of other donors. “It’s the type of thing you look at and say: ‘I can’t say which one I am, so I must be both,’” he says. “There’s no difference between them. They’re like a gateway, in a way. They’re about arrivals and departures.”
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Almine Rech to Open in Shanghai

June 20th, 2019

Almine Rech, will open in Shanghai next month, sharing a floor on 27 Huqiu Road with Lisson. “The decision to expand to Asia was a natural one for us, as we’ve long been interested in the Asian market and engaged with collectors in the region through our participation in art fairs, as well as institutional outreach, collaboration, and regular visits to the region,” says owner Almine Rech-Picasso.
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Lonnie Holley Interviewed in Artforum

June 20th, 2019

Artist Lonnie Holley is interviewed in Artforum this week, speaking on his music and his vision for his broader body of work. “All my work, in any form, comes down to oneness,” he says. “The oneness is important: the oneness goes all the way down to this one universe that we believe in; this one mothership, our planet Earth, that we live in; this one mother that gave birth to us and that we should respect; and then that one gray spot that we’re going to after we are dead and gone.”
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