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Peggy Fogelman Named Director at Isabella Stewart Gardner Museum

Wednesday, October 28th, 2015

Gardner Museum Launches 3-D Tour Documenting History of Theft and Stolen Works

Monday, March 20th, 2017

Mob Associate Speaks to Hartford Courant on Gardner Museum Heist

Monday, January 4th, 2016

FBI Says it Knows Who Was Behind Gardner Museum Heist

Monday, August 10th, 2015

Isabella Stewart Gardener Case Reportedly Solved by FBI

Thursday, April 2nd, 2015

Inside the Difficult Recovery of Stolen Art

Tuesday, August 18th, 2015

Bloomberg Reveals How Stolen Art Can Sell on the Black Market

Monday, June 15th, 2015

The Atlantic Investigates Public Fascination with Art Heists

Monday, March 23rd, 2015

Paris – Sophie Calle: “Dérobés” at Galerie Perrotin Through January 11th, 2014

Friday, January 10th, 2014

FBI Knows $500 Million Museum Thieves, Still Searching for Missing Art

Tuesday, March 19th, 2013

After 20 years and $225 million in art recovered, top FBI art crimes agent Robert Wittman to retire

Saturday, December 20th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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